Monday, November 2, 2020

Interview with Malayalam writer VJ James

 

Interview with Malayalam writer VJ James


* OV Vijayan, Akkitham, MK Sanu,  Lalithambika Antharjanam... the list of great writers of Malayalam literature who have won the Vayalar Award is long. Don't this prestigious award lead you to a great responsibility?

As a writer, I have always approached my writings responsibly. The award should not be considered a burden. My desire is to always approach the works with full responsibility and passion.

* The general impression is that science and philosophy are contradictory and are difficult to coexist. But you have been able to shine as both a scientist and a writer. How is this possible?

Science and literature are complementary. They do not have to be seen as two. Science has always helped me. The scientist Abdul Kalam was also a poet. Science is inextricably linked with literature.


* Nature is an important element in most of your works. Do you want to give the message of going back to nature? 

The human body is a continuum of nature. That is why I put forward the idea that nature and man are one, rather than a return. They do not have to be seen as two different entities.

* You are not a person who approaches his writings in an advisory manner. But the film adaptation of the story 'Pranayopanishath' is interpreted as being in an instructive manner. How do you feel?

Film is a commercial art. The screenwriter was adapting the story 'Pranayopanishathu' into a movie style. As a reader, he can interpret the story as he pleases. I emphasized love in the book.


* We can see a travel background in your works like Dattapaharam and Purappadinte Pusthakam. Have your travels influenced any book writing?

Life itself is a journey from birth to death. Therefore, travel is an integral part of the composition. The travel background helps to present many ideas strongly and conveniently. Its a symbol lasts forever.

* All writers are open about their political views. What is your political position?

My political stance is clear from my books. My politics is a contribution that includes those at the bottom of society. It is not a contribution that one hates and stands with another. My politics is to reach out to everyone.


V.J. James

V.J. James is a native of Vazhappally, Kottayam. He is the recipient of several awards, including Vayalar Award (2019) and the Kerala Sahitya Akademi Award (2017). The major works are Purappandinte Pusthakam, Dattapaharam, Pranayopanishath, Nireeswaran, and Anticlock. He is currently working as an engineer at the Vikram Sarabhai Space Center in Thiruvananthapuram.






Thursday, October 29, 2020

Florence Arthaud - Fiancé of Atlantic

Florence Arthaud

It's a name most people are unaware. But as the adjectives "one of the best sailors in the world, the woman who made history in a matter of days," go on, any reader will be curious to know who Florence Arthaud is. Florence's own words, "I can not be happy until I get to the sea," are perfect to describe her life. She is the epitome of determination and confidence that has entered and set a record in a patriarchal world of navy.

Success is not an easy path, it is a long journey. Florence's story is a story of success through many trials and tribulations. Florence was born on October 28, 1987 as the daughter of publisher Jacques Arthaud. The family that was very close to adventure and sports. Life with her father, who published adventure stories, and her brothers, who went swimming, rowing and adventurous, made Florence an admirer of speed. 

From a very young age, Florence had a passion for boats and sailing, but at the age of seventeen she fell into a serious car accident and fell into a coma. Florence has long been plagued by fractures of the skull, paralysis and spinal cord injuries. But that did not deter the girl. At the age of twenty-one, she competed in her first Trans-Atlantic Race, saying, "Only the sea can give me the freedom, adventure and solitude I want." By travelling 5800 km alone and cross the Atlantic Ocean, Florence was able to finish 11th out of 40 on that trip in her own boat, which was not suitable for such a big competition.




That was just a beginning. For the next ten years, Florence continued to compete. The legendary Philip Paupon, Mike Birch and Eric Barley became friends with this rising star. But she had gone through a severe financial crisis over those years. She went to many places to find money to build a good boat.

When Christian Garrell, chairman of the Pierre Ier, signed an agreement with Florence in 1988 it became a turning point in her life. They built a boat with the latest technology for her. The boat was equipped with facilities like satellite-assisted GPS and radar operations, device of wind and boat's speed and angle measurement, and a Macintosh computer to show the sea map and the location of the boat on it.

1990 was the golden year of the life of Florence Arthaud. She broke the solo Atlantic world record by crossing the Atlantic Ocean alone in a boat in 9 days, 21 hours and 42 minutes. That story of determination did not end there. Within three months, she had won the world-famous solo trans-Atlantic competition, Route Du Rhum. Florence still holds the reputation of being the only woman to win an international naval race. Health problems befell her soon after the world record was set. Injuries to the spine hampered training and travelling. But she overcame that and took part in the Route Du Rhum race.




Within the first hours of the game, 4 contestants left the race, unable to cope with the fast-moving winds. She had oly soup and pasta as food. She had to wake up every half hour during sleep to watch the boat's control in the wind. Florence spent 14 days and 10 hours and 10 minutes aboard the Trimaran ‘Pierre 1’, battling the sea and wind and swelled with loneliness and illness. This persistence made the 34 - year - old woman, a model of extraordinary strength and confidence in front of all those who loved the sea.

When the competition started on November 4, 1990, Florence was not bothered by the fact that she had the best competitors against her. By November 7, Florence had reached 1609 km after facing many obstacles one after the other with complete restraint. Many of the boat's technologies were damaged. She was unable to communicate with the outside world, see sea maps or calculate directions.

She proceeded on the journey in the light of her own experiences and logic. But the boat's fuel leak significantly affected the voyage. Meanwhile, Florence, who was ill for days, finally handed the ship over to the direction of the wind and slept well for three hours. Florence describes that night as "I was alone with God."

When other competitors were unable to move forward in the anticyclone, Florence, who had longed for success and worked tirelessly for it, arrived in Guadeloupe on the 18th of November, the fifteenth day. Tens of thousands of people greeted her as she hit the boat on the shore with dry lips and sunken eyes. She was greeted by family and friends with applause and fireworks.




In addition to being the first woman to win the Route Du Rhum race, she set a new record time of 14 days, 10 hours, 10 minutes. From then, Florence came to known as the "Little Fiancé of the Atlantic". She bcame an inspiration to the next generation of sailors, including Isabel Otisier and Catherine Chaboud. Florence lived a life of her self-expression, "Sailing is in my blood."

"Life is a gift. You must live it to the fullest and always believe in your destiny." When Florence Arthaud, who lived his life with complete freedom, joy, and confidence, says this, we would think about life. By living a beautiful life, she reminds us that life has meaning and it is worth living. 




Saturday, September 5, 2020

STOCKHOLM SYNDROME IN INDIAN CINEMA


 Stockholm Syndrome 

Stockholm syndrome is a psychological condition where a victim feels an affection,  trust or a bonding towards a captor. Even after suffering abuses, the victim develops a psychological alliance with the captor and in most of the cases these types of emotional bonds are seem to be irrational.



The term was coined after a 6 days bank siege occurred in Stockholm, Sweden in august 1973. After the bank robbery, four employees of Sveriges Kredit Bank were held hostage for 6 days by two men in the bank vault.  But the strangest thing was,  after the release the hostages refused to testify against their captors as they developed an emotional bond to them.

From then, the condition of victims developing a psychological connection with their captors was termed as Stockholm Syndrome. Psychologists who studied the syndrome says that, this attachment to captor may develop due to

1) gratitude that the captor chose not to kill the captive
2) sympathy towards their captor's needs
3) moved by the act of rare kindness in the midst of horrible conditions

The Stockholm Syndrome is considered as a reaction or a survival mechanism to the shock of the victim. It is visible not only in the kidnapped victims but also in the victims of the domestic violence, abused children, war prisoners, cult members and procured prostitution.




Symptoms

* victim develop a positive feelings towards the captor
* victim develop a negative feelings towards police, family, friends or any person who try to help them to get away from their captor.
* anxiety, depression, insomnia, flashback, nightmares, confusion and trust issues.

Stockholm Syndrome in Indian Cinema 

Stockholm Syndrome was discussed in various films of multiple language and in varied context. In Indian films the disorder was presented as a subsidiary topic to the main action. No film has released with the central point focusing on the syndrome in India. The films that discussed the syndrome only portrayed it in few scenes to show the impact of abuses suffered by a main character. 

In the course of action, a kidnap or abuse occurs and the character display the symptoms of the Stockholm Syndrome. This limitation resulted in the less attention to the disorder and it was never be a hot topic for discussion or debate. The public sees cinema as a medium to know,  understand or feel things and situation around them. As the number of films focusing on Stockholm syndrome is less,  the Indian audience doesn't really got an indepth portrayal of such a serious issue.



Some of the Indian films focused on Stockholm Syndrome were
* Highway (Hindi 2014)
* Raavan (Tamil 2010)
* Aruvi (Tamil 2016)
* Chola (Malayalam 2019)
* Psycho (Tamil 2020)
* Forensic (Malayalam 2020)
* Penguin (Tamil 2020)

Most of these Indian films focus on one or two symptoms of Stockholm syndrome.  Highway is an exceptional Hindi movie in which the heroine, a kidnapped victim develop positive feelings towards her captor. When the first half of the film displays the act of kidnapping, while the second half completely focuses on how the girl romantically involved with her captor. She expresses the symptoms of the syndrome and hate every person who tries to help her to get away from him. The film shows how she trust him more than any other person including her family and friends. The film itself consists of a scene in which the police searches the captor's vehicle and the girl herself hide from them instead of taking their help. Later she is confused and surprised why she did that. She realizes that she started enjoy her captivity and the new sense of belonging. The psychological bond is so strong that she fantasizes a life and world with him. At the end the victim is shown shattered after the death of her captor and indulged in serious depression. 



At this time, Raavan a bilingual film directed by Mani Ratnam  shows how the kidnapped victim feels sympathy towards her captor as she thinks his needs are just. She develops an attachment to him and his family that she believes they will never harm her. But Aruvi,  a Tamil film released  in 2016 show a girl who keep few people (including her rapists)  in captivity for a few hours. During this time the victims develop a soft corner for her and feels sympathy towards her condition. Even in captivity they think they are responsible for her misfortunes. When they are rescued by the police they depart with an urge to see her again. All of them are continuously anxious about Aruvi's welfare. The film shows how the victims develop an inseparable connection with the person who threatened to kill them.

All these films mentioned above shows a warm side of the captor and becomes the most important reason for the victims to develop a positive feeling towards his or her. But 2019 released Malayalam film Chola is the best example for how a victim  who suffers continuous abuses and pain  feels an inevitable alliance with the her captor. Even after brutal rape and harm she obeys him without any objection or hesitation. She cries in pain but follows him wherever he goes, in the absence of of his command. She is never ready to go back to her home or any other safe places. A continuous sense of possession and fear controls her. 



When her lover kills the captor she cries immensely and cares his deadbody and later murders her lover by herself. The film ends when the girl is in abject confusion and anxiety who continues to stay beside her captor's body and losing her mind to an absolute state of subjugation. The end makes the audience wonders about the logic of her actions. So Chola can be said as the indian film which portrayed Stockholm syndrome in its fullest form. The film never shows any kind of understanding or kindness from the side of the villain. Still the victim feels obliged towards him even though it was risks her life. The bond takes only a few hours to form and last forever. The film won several awards and appreciation nationally and internationally as well.

Psycho, the Tamil movie released in 2020 shows sympathy developed by a kidnapped victim towards her captor as she came to know about his past and  sufferings. Even though she witnesses violent murders by him she decides to forgive him and never reveals his identity to any person including her family. She tries to protect him as she thinks one reason is enough to justify all his crimes. She even feels a motherly affection towards a person who have a complete obsession towards slaying and butchers people in front of her.


The last two films in 2020 based on Stockholm syndrome focuses on kids who were captured and trained to follow and obey captor's without any questioning. The Malayalam film Forensic shows a slight portion where a kidnapped child is filled with the fear and obey her captor's order without verifying the consequences. The bilingual film Penguin focuses on the search of a mother for her kidnapped child and the film shows how the kid is supremely controlled by his captor as he is psychologically submerged in the fear of her. He watches the captor attacking his mother without any reaction and follows all her commands. The boy develops a strong feeling towards her so that he can even sense her presence without even seeing her. When the captivity continues for years the boy seems to be completely ok with all the actions of his captor. He completes her commands like his he is hypnotized shows the depth of the the emotional and psychological effect of her in the kid.  The child shows the symptoms of anxiety,  depression, confusion and trust issues.


In most of the films that discussed Stockholm Syndrome focuses on a positive feeling developed by the victim or a complete surrender towards the captor because of the fear. And the majority of the films deals the syndrome as a subplot to the major action. The victims in these films are the children or women. No films shows a psychological comeback or any type of emotional surveillance or assistance given to the victims. In Indian cinema scenario the Stockholm Syndrome was not understood or expressed in a proper way when International films produced classic works to display such a serious issue.


Tuesday, August 11, 2020

The magic of three witches...


Review of In thunder, lightning and rain a documentary by Rajesh James


In the clamorous noise of carnival, the glimpse of three smiles catch the eyes of viewers that tell a long threshold of stories. The documentary, In thunder, lightning and rain, an excellent work by the Kochi based documentary maker and film researcher Rajesh James, takes the audience to a different arena of life. The documentary takes you to the lives of three women who fought the odds of their life with valour and will. Seena C.V the footballer, Ammini Amma the fisher and Selina Michael the cremator, tell their story and the camera captures it beautifully and responsibly.

The film starts from the shot of Kochi new year carnival where the three women came to witness and be part of it. They express their joy to share the vast space of celebration, joy and togetherness that is contradictory to their lives and circumstances. The women unveil their story in the form of answers to the questions asked by the crew. The realistic portrayal of the life and emotions of the three, who fought to create a space of their own, in the society which always ridiculed the unique persons, makes the film a genuinely skilled work.


The narrative sequence begins with section Thunder that shows Seena C. V the only woman football coach in Kochi. The determination sparked in her narration attracts the audience. The second section named Rain shows Ammini Amma, a fisher and folksinger who talks in Universities about agriculture, farming and folk culture. Lightning, the third section introduces Selina Michel, the cremator of thrikkakkara crematorium who had cremated near 4000 dead bodies.

All the three are unique and special in stereotypical world of humans and that's why the film compare them to the witches in Shakespearean drama. They represent the desire to live life inspite of any adversity. Their perspective towards life and simplicity in living an unusual life deserve appreciation from hearts. The film captures real smiles, real worries and real strength of these women who fight and survive their obstacles will courage and determination. The documentary returns to the carnival in the end as the three women witness the burning of Pappanji and welcome a newyear.


The way of presentation and selection of concept deserve appreciation but the gem of the matter is that the film never forces any of the viewer to realize or appreciate the three. They are heros, it is not to be said, but felt. The viewer feels the struggle, the gains, the loses, the smiles, the sadness and the pride of the three immensely strong willed women. 

The film was produced by Preeya Nair and K.C Abraham. Jibin Jose did a fantastic work in cinematography and Lithin Paul was the editor. The documentary was premiered at Ppeloponnisos International Documentary Festival at Kalamata, Greece on January 24, 2018.


Thank you. 


Tuesday, July 28, 2020

Autobiography of famous politicians

Autobiographies are the life stories written by individuals who wanted to share their life with the world. The events in their life are shared through a book in a written form by the persons themselves. 

Here we are listing few autobiographies written by political persons who are renowned for their work and services. This list may help you to go through the life story of your favourite politicians and know them better.

 
Barrack Obama      -     Dreams from my father
Nelson Mandela     -     Long walk to freedom
Benazir Bhutto       -     Daughter of destiny
A P J Abdul Kalam -    Wings of Fire
Benjamin Franklin  -    The autobiography of Benjamin Franklin
Inder Kumar Gujral -    Maltus of discretion 
Adolf Hilter             -    Mein Kamf
Julian Gillard           -    My story
14th Dalailama         -    Freedom in exile
Bill Clinton              -    My life
Pete Buttigieg           -    Shortest way home
Che Guevera            -    The motorcycle diaries
Pervez Musharaf      -    In the line of fire
Theodore Roosevelt -    An autobiography
Michelle Obama       -    Becoming
David Cameron        -    For the record  
Malala Yusuf Khan  -    I am Malala
Tony Abbot           -     Battle lines
Jimmy Carter         -     A full life
Benito Mussolini    -    My autobiography

Sunday, July 26, 2020

WOMEN CHARACTERS OF RAMAYANA

 

WOMEN CHARACTERS OF RAMAYANA

 

Ramayana, the Epic text known as the story of Rama’s journey (Rama’s  Ayana) presents a strong band of women who display an array of fine qualities. But the disappointing fact about these characters are that most of them are forgotten in the course of time and lost their presence in many translations and adaptations of Ramayana. Only a few characters like, Sita, Kaikeyi, Manthara, Kausalya and Mandodari got the prominent spotlight even though the other women characters are as unique as these women. Even in Valmiki Ramayana the focus was on the life events of Rama and  most of the women characters appear in the events without proper description or history. Even their life after the encounter with Rama or their death was not mentioned in the Epic. 


Ramayana have an immense number of translations not only in Indian languages, but also occupy a definite place in many foreign languages and literature. The excessive number of these texts shows variety of plot changes and character descriptions. But by referring to the most common version of stories of Ramayana, here we are presenting you the major 25 women characters of Ramayana. A small description is given along with each one that may give you a basic idea of the characters.


Ramayana is not just the story of Rama, but also of numerable characters  who shaped the epic in their own way. So let’s meet some strong, brilliant, courageous and determined women in Ramayana. Read them, Remember them, Revive them.

 


·        Indumathi – Mother of Dasarath. She was the princess of Vidarbha and daughter of King Bhoja. She was an angel named Harini who was cursed to born as a human by a saint. She born as a human and married Aja, King of Kosala and gave birth to Dasarath. She was freed from the curse when she died as the garland of Devrishi Narath fell on her as he was passing through the sky. Dasarath was only 8 months old when she died and out of grief Aja committed suicide as he loved her immensely.

 

·        Kausalya – First wife of Dasarath. She as the princess of Kosala kingdom and the daughter of King Sukaushal and Queen Amritaprabha. She had a brother named Bhanumatha and a sister named Vershini (Wife of Lompada, King of Ang Desh and fostermother of Santha) . She had a daughter named Shantha and a son, Rama from Dasarath.

 

·        Kaikeyi – Wife of Dasarath. She was the daughter of Ashwapati, the King of Kekaya kingdom. She had 4 brothers including Yudhajit and she had a son named Bharath from Dasarath. She met king Dasarath in Kashmir and fell in love. She fell under the influence of Mandhara and became the reason of Rama’s exile.

 

·        Sumithra – Wife of Dasarath. She was the princess of Kashi and the mother of Lakshmana and Shatrughana.

 

·        Santha – Daughter of Dasarath and Kausalya. She was the elder sister of Rama and other 3 brothers. She was taken care by her foster parents, King Lompada of Ang Desh and his wife Vershini. She was married to Rishyashringa, son of sage Vibhandaka. She was mentioned in Mahabhratha more than Ramayana.

 


·        Sita – Sita is considered as the incarnation of Goddess Lakshmi and the daughter of Goddess Earth (Bhumi \ Prithvi). She was raised by King Janaka of Videha (Mithila) and his wife Queen Sunaina. She had a younger sister named Urmila. She was married to the prince of Ayodhya, Rama in a swayamvara. Sita was also known as Janaki (daughter of Janaka), Maithili (princess of Mithila) and Vaidehi (princess of Videha). She returned to the womb of her mother Earth (dies) after reuniting her sons Lava and Kusha with Rama. Mandavi (wife of Bharath) and Shrutakirti (wife of Shatrughana) were Sita’s cousin sisters.

 

·        Mandavi – Wife of Bharath. She was the daughter of King Kushadhwaja of Sankasya and Queen Chandrabhaga. She had a sister named Shrutakirti and Sita was their cousin sister. She had two sons Taksha and Pushkala with Bharath.

 

·        Urmila – Wife of Lakshmana. She was the daughter of King Janaka of Mithila and Queen Sunaina. She was the younger sister of Sita. She had two sons named Angada and Chandraketu. She waited for Lakshmana during the time of Rama’s 14 years exile along with Sita and Lakshmana. She stayed in the palace taking care of Dasarath and his wives.

 

·        Shrutakirti – Wife of Shatrughana. They had two sons, Shatrughati and Subahu. She was the daughter of King Kushadhwaja of Sankasya and Queen Chandrabhaga.


·         Sunaina – Wife of King Janaka of Mithila. She was the mother of Urmila and foster mother of Sita. She was believed to be born from the tear of Servent King Vasuki and raised by River Goddess Narmala under the guidance of Devi Parvati.

 



·         Mandodari – Wife of Ravana. She was the daughter of Mayasura, King of Asuras and an apsara named Hema. She is considered to be one of the Panchakanya. She had two sons Meghanad and Akshayakumara. After the death of Ravana, she was requested to marry Vibhishana by Lord Rama. But the marriage was mentioned in Ramayana.

 

·         Dhanyamalini – Second wife of Ravana. They had 5 sons named Atikaya, Narantaka, Devantaka, Trishira and Prahastha. She was the daughter of Mayasura and Hema and sister of Mandodari.

 

·         Vajramala – Wife of Kumbhakarna. She had two sons named Kumba and Nikumba. She was the daughter of Mahabali, granddaughter of Virochana and great granddaughter of  Prahlada. She had two siblings named Banasura and Ratanamala.

 

·          Karkati – Wife of Kumbhakarna. She had a son named Bhimasura. She was the princess of Sayadri.

 

·          Sarama – Wife of Vibhishana. They had a daughter named Trijata. Sarama was the daughter of Shaileesha. She was in duty of Sita’s protection while she was in Lanka. She behaved very friendly with Sita.

 


·         Surpanakha – Sister of Ravana, Kumbhakarna and Vibhishansa. She was the daughter of Rishi Vishrava and Kaikashi. Her real name was Meenakshi. She was married to a Danava named Vidyatjuhva (Dushtabudhi) and had a son Shambhri. Later Vidyatjuhva was killed by Ravana and Meenakshi was left to live in forest. She was mutilated by Lakshmana as she attacked Sita, enraged by the rejection of  Rama and Lakshmana.

 

·        Trijata – Daughter of Vibhishana and Sarama. Like her mother she was also a friendly companion to Sita while she was in Lanka. She was in duty of security of Sita in Lanka.

 

·        Sulochana – Wife of Meghanad, son of Ravana. She was the daughter of King of serpents, Vasuki. She was believed to be born from the tears of Vasuki along with her sister Sunaina ( Sita’s foster mother ). She was also called as Pramila.

 

·        Tara – Wife of Bali, King of Kishkinda. She was the daughter of Vanara Physician Sushena. She had a son named Angada from Bali. After the death of Bali, she married his brother Sugriva.

 

·        Ruma – Wife of Sugriva. She was taken as wife by Bali as a punishment when he came to know Sugriva made Tara as his wife when Bali wasn’t present  in Kishkinda.

 


·        Kaikeshi – Mother of Ravana.  She was the daughter of Ravana king Sumali and Gandharva princess Ketumashi. She married a sage Vishrava and had 3 sons ( Ravana, Kumbhakarna and Vibhishana) and a daughter ( Meenakshi – Surpankha).

 

·        Manthara – The maid of Queen Kaikeyi. She took care of  Kaikeyi from her childhood and came to Ayodhya when she was married to Dasarath. Her excessive loyalty towards Kaikeyi leads to the major turning point of the story.

 

·        Anjana – Mother of Hanuman. She was an apasara named Punjikastala, later she was born on Earth as a Vanara princess named Anjana. She married a Vanara chief Kesari and Hanuman was born to her as a blessing of Lord Shiva carried to her through Lord of wind Vayu.

 

·        Tataka -  Tataka was a beautiful woman who was transformed to a Rakshasi once she tried to seduce Sage Agastya. She tortured, killed and drank the blood of creatures. Her curse was broken by Rama, when he slayed her.

 

·        Menaka – Menaka was born during the churning of the ocean by the Devas and Asuras. She was an apsara who was sent to Earth to seduce Sage Viswamitra. But they fell in love and had a daughter Shakuntala. Shakuntala’s son Bharath was an ancestor of  Pandavas and Kauravas. Their story is mentioned in Bala Kanda of Ramayana. 

 

 

Here is, the 25 fierce women who stood with dignity, filled with love and lived a meaningful life. The lost importance through ages never diminished their truth. The descriptions shows how important each of them, even though they are not fully presented in its completeness. The characters stay as pillars to the story and the plot changes. Each of them represents definite qualities and displays traits of true human emotions. The different shades of perspective, decisions and existence make these characters display an universal approach of human behavior.  The chaos, the determination and the sense of sacrifice of these characters makes Ramayana not only Rama’s Journey but also their own Journey in an unique manner. 


Thank you. 

Saturday, June 6, 2020

K.K. SHAILAJA TEACHER - PROFILE - HEALTH MINISTER OF KERALA


K.K. SHAILAJA TEACHER



K.K Shailaja who is popularly known as Shailaja teacher was born on 20 November 1956 to K. Kundan and K. K. Shantha. She hails from Kannur district and married to K. Bhaskaran in 1981. The couple have two sons named Lasith and Sobhith. She is 63 years old now. She is  the current health minister of Kerala and one of the two female ministers in the Pinarayi Vijayan government came into power in 2016.




She was born in a family of activists and freedom fighters. She obtained her Bachelors in Science from Pazhassi Raja NSS College Mattannur and Bachelor of Education from Visvesvarayya College in 1980. She then served as a high school teacher (science) at Shivapuram, Kannur . After a seven-year service, she retired in 2004 for full-time political action.




Shailaja Teacher entered politics through Students Federation of India (SFI) activities and later become a member of CPI (M) Central Committee. She is the State Secretary of All India Democratic Women's Association and Joint Secretary of its Central Committee.  She has authored two books- "Indian Varthamanavum Sthreesamoohavum" and "China- Rashtram, Rashtreeyam, Kazhchakal". She was the chief editor of "Sthree Sabdam" . 




She was a CPM, Central Committee member and Janadhipathya Mahila Association State Secretary. She was the editor of the Shylaja Mahila Association's Shrine Mahila Association, a district secretary, state secretary and secretary of the All India Mahila Association. The constituency lost from Peravoor constituency in 2011 after the constituency rebuilding. She represented Koothuparambu in 1996 and Peravoor in 2006 in the Kerala Legislative Assembly. Shailaja won a total of 67,013 votes in the Koothuparamba constituency in Kannur district by 12,291 votes. In the Pinarayi ministry, she is the minister in the department of health and social welfare.



Her leadership during the 'Nipah' virus outbreak was lauded by everyone. She had set up a team which enabled the fast diagnosis and further management of the deadly virus. She has received international attention for her leadership in tackling the Covid 19 pandemic in Kerala. Her effort  was appreciated by many international media including BBC, Guardian and Vogue. 

Interview with Malayalam writer VJ James

  Interview with Malayalam writer VJ James * OV Vijayan, Akkitham, MK Sanu,  Lalithambika Antharjanam... the list of great writers of Malay...